Preparing for the Graduate show: Print and Presentation.

As the Graduate show approaches, i’ve been putting a lot of thought into haw best to present my work in a way that enhances its impact rather than simply displaying it on a wall. I started by experimenting with various kind of paper for printing because I realised right away that the presentation would be very important in deterring how the audience would perceive the image. I experimented with both a matte watercolour paper and a glossy pearl paper. Although the pearl paper was of excellent quality and was great for details, its reflecting surface caused excessive glare in direct lighting, which took away from the darker tones within my work. The matte watercolour paper, on the other hand, not only resolved this problem nut also added a painterly texture that compliments the images’ visual appeal and layered feeling. A key component of my concept, this texture gave depth by mirroring the visual language of classical paintings. The decision became obvious.

After deciding on the paper, I focussed on framing. To tie into the historical allusions in my work, my original plan was to use antique frames, that resembles those found in galleries that display classical portraits. But I quickly recognised that elaborate frames could detract from the images by competing with them. I decided on a simple black frame after giving it some thought. Its simple style lets the photos shine while maintaining a polished appearance that disappears into the background.

Lastly, I created a precise project statement for the show’s catalogue. My aim was to provide just enough insight into the themes and intentions behind the work to spark curiosity, encouraging viewers to seek out the pieces in the exhibition space and engage with them more deeply.